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    Afropunk’s Rising Music Renegades Are Breaking the Mold on Their Own Terms

    Beauty is Boundless


    Afropunk’s most talked-about female acts all have one thing in common: inspiring, highly individual beauty standards.

    On a balmy, sun-drenched day inside Brooklyn’s Commodore Barry Park,?Afropunk Festival, the two-day event celebrating—and creating an unimpeded space for—the music and arts of black culture,?is ushering in its 14th year. And it’s doing so the only way it knows how: with a fervent and boundless spirit that inspires its headliners and showgoers alike to conjure the tradition of their heritage and unleash their individualism.

    A feast for the senses, visually the annual happening translates to polychromatic, hyper-detailed looks, and lots of above-the-neck revelry.?There are the head-swiveling hairstyles of all shapes and lengths, from buoyant, sculpturally molded dark coils to waist-grazing neon box braids. And then there are the high-octane makeup statements. Intricate, African-inspired face paint, flicks of high-voltage eyeliner, and gothic stamps of lip color are among the array of bold flourishes.

    With no shortage of swagger, a slew of rising performers make a point of perpetuating the beauty narrative. From R&B singer Jessie Reyez, who picked up two nominations at the 2018 MTV?VMAs?and just dropped her new remix of feminist anthem “Body Count,” helping secure the half-updo as the style of the summer with her wild raven curls, to Zuri Marley, a scion of reggae royalty striking out on her own with a feature on Dev Hynes’s?new album?Negro Swan?and a trail of freshly peroxided plaits, these seven acts embody the unspoken understanding that at Afropunk, excess and idiosyncratic self-expression?are?a way of life.


    Director: Micaiah Carter
    DP: Evan Burris Trout
    First AC: Carey Hu
    Set Design: Taylor Horne
    Makeup: Ingeborg
    Editor: Michel Sayegh

    大豪门彩票

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