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    Pyer Moss

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    It has been a year since Pyer Moss invited Fashion Week to Weeksville, the historic black neighborhood in Brooklyn. The second installment in “American, Also,” a three-part series of collections addressing the erasure of African American narratives in popular culture, the moving show was hailed as one of the best of the season and positioned the brand squarely in the New York spotlight. So when designer Kerby Jean-Raymond decided to go on hiatus last season, shortly after winning the CFDA/Vogue Fashion Fund award, many wondered if he could keep the momentum going.

    With the Pyer Moss name in bright lights at the Kings Theater in Brooklyn last night, Jean-Raymond was ready to turn the volume up in a major way. The endless lines of people outside the venue—a combination of industry insiders, celebrities, and those fans who were lucky enough to score one of 500 free tickets—gave some indication of the scale and ambition of the project. Walking onto the scene, it was easy to imagine the production costs running well into the hundreds of thousands, which they did to the tune of around $400,000. Puzzled passersby on Flatbush Avenue all seemed to be asking themselves the same question: What kind of performer draws a sold-out crowd at this 3,000-person-capacity venue on a Sunday night?

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