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    Nanette Lepore

    • coverage
    • collection
    • all seasons

    Nanette Lepore was one of the first shows I attended when I was interning for a glossy magazine back in 2011. I was overwhelmed by the commotion backstage, the lines for interviews, the models in hair and makeup. I was swept away! At the time, I already knew about Lepore’s work: In a small town in Massachusetts, my mother had managed to scoop a few pieces, like a knit cardigan and a pert jacket.

    Lepore has considerably pared back her showing style over the last eight years. And to be fair, with shrinking budgets and rising production costs, what label’s presenting methods haven’t become less about the bells and whistles? Since I’ve been reviewing Lepore over the past four years, save for one presentation, she has shown her collection in her art-dotted home or in her studio, which has since moved to the Navy Yard. When she shows in her home, as she did this time, sans the glitz, it feels endearingly personal. It is evident that Lepore isn’t trying to impress anyone, and she even explicitly stated that this season: “We just had a lot of fun making clothes this time. I’m done trying to please buyers and people. We want to make what we want to wear,” she said. “We are doing this the way that we want to do it. I don’t care anymore about trying to hit somebody’s markdown schedule; it’s just impossible. Now, you just have to do what you love, which is how we are going.”

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