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    Creatures of the Wind

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    About a year ago, Chris Peters of Creatures of the Wind launched a solo project called CDLM. He intended to work in a more sustainable manner, focusing on upcycling and repurposing, picking apart the likes of an old navy blue caban, say, or bringing together in counterintuitive harmony washed and worn tie-dyed tees with sun-bleached vintage cotton nightdresses of the type the doomed gals who picnicked at Hanging Rock would wear of an evening. Now Shane Gabier, Peters’s design- and life partner whom he cofounded Creatures with, is also working with him on CDLM, and each label is operating (on the whole) with the same eco-minded premise. Got that?

    Truth be told, in the grand scheme of things, it shouldn’t and absolutely doesn’t matter a jot which look from the 29 they showed late Monday night at a Masonic Hall off of Sixth Avenue bore a CDLM or a Creatures label. After all, isn’t that what we are looking for now—and what the message, if one can call it that, has been of the Spring 2020 New York shows thus far? That creativity is at its best when it’s part of a collaborative and explorative community—or in this case, a couple. To drive the point home, CDLM and CoTW were just two of the labels on the runway; they were joined by Vaquera and Section 8 in a group show, a display of designer solidarity that’s always welcome.

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